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The japanese manufacturer SANKEN is specialized in making
fine microphones for broadcast, film-production, ENG, sound recording
studios, stage and for all those who believe in their ears. For all
applications you will find the right product. SANKEN microphones are
developed and designed in conjunction with NHK. They fulfill very high
standars.
COS-11s Superb Sound in Ultra-miniature Lavalier
COS-11s features the unique "Vertical Diaphragm Design" which
provides
superb sound from a microphone so small it is almost invisible.
The COS-11s has a perfect OMNI Directional polar pattern from 20Hz to
20kHz, and provides a very natural sound from 50Hz to 20kHz.
The COS-11s is suitable for a wide range of applications, including
musical theatre, TV news studios, ENG, film production recording, outdoor
shooting, even live opera and pop music recording.
A wide range of accessories allows for easy microphone positioning.
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SANKEN COS-22 Safety comes first. COS-11 with dual capsule design
Innovativ wie immer lanciert SANKEN das erste Lavalier Mikrofon mit zwei Kapseln. Ganz wie das sehr beliebte COS-11s Miniatur Kondensator Mikrofon, misst das COS-22 knapp 32mm und überträgt stolze 20Hz bis 20kHz.
Mit zwei Kanälen, beide in Kugelcharakteristik, ist das COS-11 vielseitig einsetzbar. Z.B. für stereo- Ambiance von Natur- und Musikaufnahmen aber auch bei live Sendungen, wo die zweite Kapsel die Sicherheit vor Ausfällen erhöht.
Bei gegenphasigem Zusammenmischen der beiden Kapseln, lässt sich das COS-22 auch als "noise cancel" Mikrofon verwenden. Ideal in lärmiger Umgebung.
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CO-100K Omni directional super wide range
Condenser 20Hz to100kHz
The SANKEN CO-100k is the first 100kHz microphone in the world designed
professional recording,
not for measurement purpose. It has been developped
together with NHK Resarch Laboratories.
The sound recorded by the SANKEN CU-100K also has obvious difference
even in "audible frequency" which has been said as from 20Hz
till 20kHz because it has also superbly rich low and mid frequency taste.
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CO-Z The Perfect Omni Directional Condenser
Microphone
Sanken has the distinction of creating the CO-Z, a revolutionary microphone
with a perfect OMNI polar
pattern from 20Hz to 20kHz. Many microphone
manufacturers have attempted to make the perfect omni, but because of
the physical existence of the microphone itself, it has been a considerable
challenge. Now, Sanken's exclusive technology permits the perfect omni
microphone -- one which seems to have no physical body -- with a "virtual"
diaphragm hovering in space.
Another groundbreaking design from the World's Most Original Microphone
Manufacturer.
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CUW-180 Two 180 degree angle adjustable
cardioid condenser microphones in one body
Both condenser microphones have cardioid polar pattern, and the angle
can be adjusted
between 0° and 180° freely which makes setup
for x-y stereo recording easy or for surround recording application,
the CUW-100 can be used for front L,R and rear L,R very easily.
The microphones feature a very clean frequency response also off-axis,
can support 137dB SPL and deliver a high output level. Their membranes
are made of titanium and are reliable under the most difficult climatic
conditions.
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CUB-01 New,Small,Cardioid Boundary Microphone
THE SANKEN CUB-01 produces an extremely rich and full-bodied sound.
Although small
(32mm diameter, 12mm height, 55g weight) the sound is
comparable with much larger microphones. It is designed for use in many
situations, from TV and film field shooting to broadcast studio production
and conference table recording.
Due to the CUB-01's cardioid directional characteristics, human narration
and dialogue are clearly recorded while eliminating unnecessary background
noise.
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CU-31 Cardioid Condenser Microphone (Axis
Direction)
CU-32 Cardioid Condenser Microphone (90 degree
Direction)
A small, high-resolution condenser microphone designed mainly for
music recording, the
CU-
31 and CU-32 microphones capture sound beautifully,
not only with a full orchestra but also in solo musical instrument performances.
A high transient response allows the broadcast or recording of superb
percussion and cymbal sounds.
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CU-41 Ideal 2-Way Condenser Designed for Digital
Recording
The Sanken CU-41 sets a new world standard for music recording. Used
by engineers
worldwide, it is a microphone which delivers a completely
natural, uncolored sound. The special two-way transducer provides a
totally flat frequency response. The CU-41 is also suitable as an announcer
and narration booth microphone in TV and Radio stations. Its distortion-free
performance is renowned worldwide. This microphone offers a pure cardioid
pattern with low proximity effect. and is 48V phantom-driven.
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CU-44x High-End 2-Way Studio Microphone
The Sanken CU-44X is the transformerless output version of the CU-41,
providing a fast
transient response and minimized transformer-self vibration
effect. Powered at 100volts for optimum headroom, the CU-44X requires
its own power supply: the P-44X. Each supply powers one or two 44x mics.
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CS-1 Short Shotgun Microphone with Remarkable
Features
The SANKEN CS-1 is an answer to big demand from many engineers in video
and film industry. It
is easy to be hidden from camera eye because of
its small length. Although only 180mm long, the CS-1 has very sharp
directivity and good clean sound for real professional application.
Low noise and high sensitivy respect the high goals of todays industry.
The CS-1 is ideal for boom operation. Thank to its reasonable price,
it is affordable for everybody.
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CS-2 Long Distance Shotgun Pickup with a Rich, Natural Tone.
120mm long acoustic tube in a standard 250mm length / 19mm diameter body with the proprietary SANKEN rectangular capsule for supersharp directivity. High boost switch to compensate high frequency loss due to windscreen/windjammer. Greater directivity and extended reach over greater distances. Ideal for outdoor location sounds, interviews, sports drama etc.
CS-3e A Very Sharp Directional Shotgun Shotgun
The CS-3e stands out among shotgun microphones -- it maintains directivity
over an
extremely wide
frequency range, especially in the low frequencies.
Because of its unique design, the CS-3e is an excellent choice for use
in difficult applications, such as close-to-ceiling positions or locations
near a noisy camera. Sanken's original design results in a low proximity
effect which facilitates working in a scene close-up and wide, while
producing little change in sound character.
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CSS-5 World's First Stereo Shotgun - with
Three Modes Operation
An easy-to-operate, flexible stereo shotgun for use in stereo broadcasts
and feature
films with stereo and surround sound. Because of Sanken's
innovations in Second Pressure Gradient technology and the use of two
cardioid diaphragms, the CSS-5 offers three distinct operation modes.
Mono, Normal and Wide.
Due to the low proximity effect, it is possible to work a scene both
close-up and wide with little change in audio characteristics.
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CMS-2 Studio Version M-S Stereo Microphone
The CMS-2 is an M-S stereo condenser microphone designed
to record orchestra, chorus and
choir in a theatre, hall or church.
A "single point" microphone, it provides a natural stereo
sound field. The light titanium diaphragm permits a wide frequency response
and high SPL up to 145dB.
The small physical size also make it an excellent choice for applications
where the microphone will be 'on-camera.'
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CMS-7 M/S-stereo ENG-Mikrophone utilizing
M-S technology
The Sanken CMS-7s is a portable M-S stereo condenser microphone
for indoor and
outdoor Broadcast and Film sound recording. The CMS-7s
and CMS-9 are extremely popular stereo microphones used all over the
world, and their Titanium diaphragms are relatively immune to temperature
and humidity changes.
The CMS-7s is supplied with a special high voltage PSU & matrix
box (CMS-MBB-I, MBB-II) to record stereo signal, with five selectable
stereo width angles. It is simple to capture very natural environmental
stereo sound information from the CMS-7s in virtually any kind of location
and from very loud sound sources. MAX SPL is up to 130dB at 1% THD.
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CMS-9 M/S-stereo Allrounder
The CMS-9 is the L,R stereo output version of CMS-7s. MS to LR conversion
is in the body of the
mic (the CMS-9 can be special ordered with MS
outputs). CMS-9 has XLR-5 output and is driven with normal 48V phantom.
The sound character is similar to the CMS-7s, and will handle a maximum
SPL of up to 130dB.
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CMS-10 New Generation Stereo/Mono Shotgun
The CMS-10 is switchable between a very sharp directional mono shotgun
response
and a specialized stereo shotgun mode that delivers a rich
"Environmental Stereo Sound."
The CMS-10 is small and the PPS diaphragm provides optimum durability
in locations with high humidity and extreme temperatures. The CMS-10
is an excellent choice for creative engineers working in HDTV and HD-Cam
for movie production.
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SANKEN WMS-5 Surround 5-Kanal Mikrofon mit Doppel M-S Technologie
Once again SANKEN has developped a totally new Microphone concept.
Namely surround sound out of one single compact microphone for recordings with very short setup time.
In fact the WMS-5 delivers many different sound signals depending on your needs.
Sanken WMS-5 is designed based on famous M-S method. It has 5
surround outputs signals. “M” capsule is used for both “C” and front L, R.
“S” signal is for both front L, R and rear LS, RS. Rear “M” capsule is used
for LS and RS. In order to keep precise phase coherence, capsules are
set vertically on same axis theoretically. Front “C” has shotgun directivity.
With 235g and a length of only 235mm the WMS-5 is extremely handy an
delivers convincing 5.0 sound.
Various options für outdoor applications are also available.
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COS-22
